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Until 2004, the show was a dependable fixture on the network, anchoring the Toonami block and drawing respectable ratings. The network re-ran the two Saban syndicated seasons and then pushed into new material, with Funimation dubbing the episodes with new Texas actors. As the anchor for the Toonami block, Dragon Ball Z ran five days a week at 5 p.m., quickly becoming appointment viewing. Funimation now had proof that American audiences would vibe off of Toriyama’s legendary series, so it shopped it to Cartoon Network, the Turner property that was beginning to wean itself off of crusty Hanna-Barbera re-runs. It didn’t take long for it to find a new home, though. But they were leery about the previous failures, so instead of once again starting at the beginning, they opted to fast-forward to Goku’s adulthood with Dragon Ball Z. Saban’s distribution network gave Dragonball access to stations around the country as part of a tested, successful block of programming. Funimation partnered with distributor Seagull Entertainment to get the show out there in 1995, but it only made it to 13 episodes on a handful of stations before being cancelled. Harmony Gold had test-marketed the original Dragon Ball series in 1990, with some very bizarre changes, like making Goku “Zero” and Karin “Whiskers the Wonder Cat.” Yikes. Nippon Golden Network showed a subtitled version to Hawaiian stations. This wasn’t the first time any American audiences had seen the show. With a business partner, he opened Funimation in 1994 and financed a translation of the show. Fukunaga managed to convince his relative that he could do the same for the series in the United States. Gen Fukunaga, an engineer who was born in Japan but lived in the States most of his life, had an uncle at Toei, the studio that distributed Dragon Ball in Japan. The wheels were already turning for Dragon Ball. On the strength of that show and the animated cartoons he’d produced for Marvel, he began pitching a block of programming to air daily in syndication. After bringing over the Kyōryū Sentai Zyuranger series from Japan, dubbing it into English and bookending it with new live-action segments to create Mighty Morphin Power Rangers, he’d kindled a fire among American youth for overseas properties. It wasn’t long before Dragon Ball was a multi-billion dollar franchise in Asia, meaning that it was only a matter of time before it came to the United States.īy 1996, Haim Saban had the world in his hands. Dragon Ball covered the first 194 chapters of the manga, with Dragon Ball Z handling the rest, starting up with Son Goku a married adult and father of Gohan and learning about his alien origins as he faced off with Vegeta. It wasn’t long after the debut that Toei began its anime adaptation. Over 519 chapters in 11 years, Toriyama created a storyline that would become one of the most influential in shonen manga and drove Shonen Jump circulation to over 6 million copies an issue. Toriyama soon found the rhythm of the story, introducing new foes to challenge Goku as he ages, marries, fathers a son, dies and comes back to life, and assembles a supporting cast of unusual martial artists. Originally he thought that the series would end after about a year when Goku completed his journey, but the introduction of the Tenkaichi Budōkai martial arts tournament rocketed it to a new level of popularity. Loosely based on the classic Chinese tale Journey To The West in the beginning, Toriyama made up the plot as he went along, setting Goku on a quest to pick up the seven titular balls that would grant him one wish when assembled. Created by artist Akira Toriyama in 1984 in the pages of Weekly Shonen Jump, the series follows a martial artist named Son Goku as he battles increasingly absurd threats.
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